Dive into the chaotic yet creative journey of "Les Garçons Stupides" as they scramble to film and edit their short movie within a tight 36-hour movie making challenge. From witty banter and last-minute brainstorming sessions to hilarious mishaps and unexpected
twists, this episode captures the raw energy and humor of amateur filmmakers pushing their limits. Watch as they navigate technical hurdles, interpersonal dynamics, and creative breakthroughs. Expect a blend of laughter, frustration, and genuine camaraderie
as they transform their chaotic ideas into a polished film that surprises everyone, including themselves. Perfect for fans of unscripted creativity and the unpredictable world of independent filmmaking.
Join us for an entertaining and insightful look into the world of amateur filmmaking, where passion meets perseverance in the pursuit of creative excellence.
*music*
It's 8:37, we're going to the Châtel.
Gilles is late.
Remember Mathéo, who are we waiting for?
Gilles, because he's not here.
And Bast, because he's...
Bastien is in the car at the Châtel.
A famous director, I will be dumping the gas on Stevie.
The stars spoke over, we have the funding.
No commercial, no commercial.
We're making a film at the Bastien. Bastien, it's for you.
When I take the train, I always hope to be alone.
Gillo!
There, there's the little one.
The sun's ray.
There, there's our Gillo.
Are you okay?
Yeah.
Are you excited? There, look.
Where am I?
Post.
That's special.
You look very excited.
This is the Pussy Bastion sequence.
The sequence.
Who?
From the Pussy Bastion sequence.
But it's Charlie.
It's an age movie.
It's from the past.
It's a movie.
I hurt myself.
I'm getting a headache.
I'm a little bit...
What's it called? I don't know.
The Chateaulay We Are.
Activity, activity.
I want to work on what we're going to put there.
And not drink any more. And not fuck.
I didn't say to drink any more, I'm here to work.
But I have the tan.
You're a guy, there. Michael, you're beautiful.
You're not a stupid guy.
It's organized and it's written "Yasson Stubisubi" and it
dries up
It's like "Yasson Stubisubi"
"Yasson Stubisubi"
And a train for Bastien
"ICN Bastien, ICN"
We call him Bastien?
"Yasson Stubisubi"
Bastien?
Music?
"Yasson Stubisubi"
"Yasson Stubisubi"
"Yasson Stubisubi"
*Bad French accent*
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
*Dude, what's up man?
I'm on stage, you're not.
So, Bastien...
What's the problem?
I don't know, but when I drive a car...
Wait, we have to look at the lights.
Stop focusing on the lights.
I had an accident.
We're going to make a film about David.
There are no reflections.
You'll put that in your "Kilku".
In your "Kilku".
No, "Kilku"?
For your girlfriend, it would be "Braison".
"Step Geyser".
What's that?
It's a bunch of wine chairs like the Corinthians say.
Just one bullet in your gown.
In France, by the way. It's no problem.
I don't know.
I don't know.
Get the money in my car.
Mateo, money.
There's also a festival like that in London.
What do you think?
I think it's cool.
Stupid boys.
I like it, you're great.
I hope you filmed that because that's a good moment.
That's a huge moment.
When it's a good moment, you have to add the hour.
Thank you all for your presence.
It's really nice to have you here.
I'm going to turn this on.
Annie, he's on the camera.
The right side of the VAR, what we know is that
VAR for Latin
Fuck
Cognition
It's the metacognition
It's a technical term
Pedagogy
We're making a video here
Who's for the video?
We're interested, who's for the video?
I would like to see your x
on the video and a diapos
a picture that you see super quickly
No, you're kidding
Yeah, because the trip, you do the idea of the guy, but
your condition, yes.
*Mumbling*
You're a guy who looks at himself.
For me, if you want, I'm going to sleep. You'll see when
you have salad.
Yo, we're filming HDV and you...
You can't sleep during the day or during the night.
I think that if we want to show the metacognition in a
plastic way,
at the same time, as it's the same for the brain,
where you think about several things you don't like,
you respond to what you did, I don't know, but...
We won't have the attention that there's a problem
if you see four times the same person who lives on the
screen?
No, but you have to imagine, to plant the thing,
if you do the first scene, they're in a cafe,
they look at each other, you have the impression that
something has been said.
Cat.
There was a climax.
Yes, but we don't establish a chain of akimber, we can get
out of the norm, we are
used to it.
We hit hard gradually, gradually, people say.
So that's where we go to introspection, the collets,
everything.
But yes, I'm going to ...
No, but that's not it.
The word now, what.
I mean, don't try to be too rustic, try to find a story, we
don't care.
But the theme is ...
We have to let it go a little, because having several guys
who are the same guy,
who are several times in the same...
And we take all aspects into account, the angry aspect, the
joyful aspect.
It's the same if the guy tells us something.
In my opinion, the image is less boring than the words.
If we show a strong image, we make people talk, it's going
to piss them off.
You can't feel anything.
It's for the words, of course.
For a guy with a red ear on his forehead, you cross the
line.
I'm sure.
No, but the troll, he wants to fight. I don't know.
It's not enough. He can rape his girlfriend if you want.
We have to finish.
You agree, boss?
The doubles are going to be... No, it's not a question.
No, you...
Now, speak clearly and speak in French because I don't
understand.
I can't speak French now.
No, no, but it's true. You're tired. I'm not...
You're a beard, Jaco.
He doesn't have a beard.
I didn't understand.
No, but...
It's in my beer.
The Vectoratrain is a...
Sorry.
Boys, buy a film when you're 9.
Wait, stop filming Le Repos.
Yeah, stop, I'm leaving.
No, at first, René Henry, a Bayard,
the Bayard who watches TV,
he did this different thing.
He watches TV with his doubles.
But you're only half.
I don't know, I need to sleep and then...
It's 3am, we found ideas and all, but...
We talked a lot, but we managed to mix
all the ideas we had found.
Fortunately we discussed, we thought about it
a subject called "metacognition"
which asks to think about an Orient because...
I will answer first to Bastien.
He wanted to buy some croissants and he wanted to know if
we would get there soon.
- Lazy guy. - Exactly.
- He's the one who was in the kitchen, who's going to lie
down, so he's the man.
- Oh fuck. - You see what I'm saying?
- He's getting closer? - No.
- From the kitchen? - No, from the kitchen.
- He's going to lie down. - There's no kitchen in the
kitchen.
- She's bald, that's what I like. - Oh yeah, I'm bald.
Ok, go ahead
Look
There's a little...
Shhh
Too much
You know, there's a little...
We can eventually, I don't know, without...
Without a little battle card
Well, anyway
There's something on the ground, a mouth on the ground that
has...
He's gonna see that he can't see himself yet
And he sees the piece of shit in the cardboard
There's the light, well, like there
Which is radial on the sides
Oh yeah?
Yeah
You see, close your screens
And here it goes
We're going to take a rest and try to find a place by the
lake where we can do a car ride
while the little one is running.
Where is this Valérie?
How is she?
She's very sexy, yeah okay.
There's someone who wants to drive the car.
The restaurant is hype, it's fitness, it's very clean, very
relaxed.
- But... - No, but...
- I don't know, we said to each other: "My life is on the
phone."
- But it's not, it's a private film, it's a recompose.
- It's just that I have the title, it's not... it's
independent.
- It's Canal Alpha, it's an organization.
- If you just film people, you know they are asked for
authorization.
- Yes. - Okay, no problem.
- There? - I want to be.
- Me?
You have to be well in front of them to catch them.
I'll put it on the screen.
I'll put it on the screen often.
My eyes are just...
When we say "Mode your output"
Go.
Good.
It's good.
We can talk a little bit.
Yeah, talk to them about what we're going to do.
I don't know if it's going to be good.
I'm half-naked.
You have to come here every day.
I don't know if it's going to be good.
I don't know if it's going to be good.
Yeah.
I don't know.
Yeah, it's going to be good.
If you come here when you're a child, it's going to be good
.
Oh, it's going to be good.
It's going to be good.
*I'm not sure what he's saying*
*What's your name?*
*Deli*
*Now we're going to the lake, to a place near Vevey where
the road is along the lake where a jogger can run with a
car that allows him to film in travelling*
*Oh, so hot*
*The director doesn't like being filmed*
*The director, aren't we all directors?*
- What's the name of the channel? - I swear there's a big
channel that goes between... - I don't know if you
understood. According to Mathéo, we are a touristy group.
In this case, it's a natural reserve. Everyone does cycling
when we get on bikes. But we have a super polluting 4x4. It
's boring.
Today, between yesterday and the Magno...
Wait, I'm not sure where I'm going...
I'm going to say "Yurk"
I'm going to throw my head in the water
It's a good lake
Boujilac
I'm almost sure
We'll try it
It's not the edge of the Ville lake but it can be
I'm sure it's the moment when my grandmother is going to
come
Oh, we're going to do a scene
It's going to be fun because we're going to go there
I'm driving and we're going to make everyone see my co.
We're going to stop.
You don't have to know how to film them, it's a problem.
What's happening now?
*Mumbling*
*Mumbling*
*Mumbling*
- I'm filming you, you asshole. - Fuck, it's popping!
- What's up? - We're going to put ourselves in the trunk to
shoot.
- We're going to try that. - No!
- Son of a bitch, let me go. - He wants that.
- But no. - We're going to go up the street.
- This one is going to open. - We're going to go down.
- And... - Stop it.
I don't know how it's going but Gilles is going to run
behind the car and we're going to film him while he runs
If I do the next one it's just me, I can't close it
I'll let you pass
That's it
The tangerines, the blocks are made and they make tanger
ines
Push the cable
Be careful, Matteo
Wow, as good as yesterday, we see absolutely nothing guys
guys
I hear you
mb3
it's 2
yeah of course
Matteo let's go
let's do a lap
fuck
fuck
really
this car is very sensitive
otherwise I would not use a car like this
help me
the sound is perfect
Hey guys, make up!
It's not too long, it's getting closer.
Matteo, me, quick!
Behind us, there are buildings.
In the desert, there are buildings.
And behind us, there are big buildings.
And now we're going to try to do it on the side,
in the city.
Like this?
No, there's no way.
Try to hold it a little.
No, but we'll find one.
If we don't find it, I don't know what to do.
I have a bad eye.
There?
Be careful, it's 10 o'clock.
It's dangerous.
Scene 2. It's 6 o'clock in the afternoon.
150th take.
Gilles, you ready?
Oh yes!
- What's up? - We're here. There are 20 buses in the same
place. It's okay.
- I'm scared. - Hey, if we're alone, how are we going to
film this?
- If you look at it, it's the cars that are being parked. -
We're in the back.
- No, I don't think so. - Here.
- I'm testing the camera. - Really?
I'm going to...
...to the next one.
What's happening now, Bastien?
It's shit now.
A lot has changed.
It's always shit, he says.
Gilles, are we going to Vienna then?
If we're there, we're going to be there in two seconds.
If we're there, we're going to be there in two seconds.
Gilles is getting a little angry.
As you can see, Gilles is not very angry.
He's having fun with the team.
He's having fun with the camera.
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Mathéo is trying to record a video*
*Train noise*
You don't have to touch it.
*Train noise*
*Train noise*
Is it good? Nah.
*Train noise*
*Train noise*
The camera has weird colors, doesn't it?
*Train noise*
It's because it's wet.
Oh, ok.
It's good. Yeah, it's good.
I'm stressed, I'm stressed.
"You can't go there, we're buying a kebab and it's shit
because HTV doesn't work."
So yeah, little thing. There was a way.
My opinion of the boys is stupid. They stopped me from
sleeping last night.
This morning they woke me up very early. And tonight I feel
very bad.
Yeah, that's it, we're done.
They're all in the short. I'm all heartbroken.
*Sigh*
Seriously.
It's like there's no one.
There's no one, okay.
At the end, you see your partner get up and you look back
like this.
And the other guy is going to move and go to bed.
There's a lot of different characters.
But as we will see, it's simple in the industry.
I will be in our kitchen too.
It's super sexy.
Seriously.
We're going to shoot the last scene of the film before
shooting the others.
I can't put my hands up because I'm tired.
Look at your feet, Gilles. It's nice.
We're going to use the hood.
What's the hood?
It prevents the wind from getting into the microphone and
making noise.
The marmot.
I like the marmot.
Do you want me to put you there?
You have notes, the guy will still have them.
No, no, no, over there, in the corner.
What am I supposed to do? I'm supposed to be in the other's
head.
Yes, that's what opens the door.
Stop, stop, no, you can't go in like that.
- We told you, you're going to go to hell. - No, no, no,
absolutely not.
I think it's going to be really quick, it's going to be two
nights and ten days.
Once there was something, the other time not.
Yes, that's not bad.
What?
That's not bad.
You do it like that, look.
Come on.
Try to take the place of the foot.
The guy goes like that.
He opens the door.
The very violent thing, we can do a painting shot, you know
, where he opens like that.
Then, tac, and koutac.
And you see him in the middle of the shot, like that.
And then, the next shot, it's the guy who...
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
He looks sad.
He's been hit.
I'm glad you did that.
No, no, no, it's very beautiful.
Yes, I think.
Just a little bit, he's going to go to the toilet.
When you have a wheel like that, you shoot two dead.
Okay?
You have two mox.
Who?
I propose to put it on the table.
No, not really.
You don't know who he is?
No, he never knows.
He doesn't know who he is.
He never wins. He doesn't know who is going.
*Mumbling*
I mean, on the last white dress, yeah, the last time, do
you like it?
I'll watch it tomorrow.
Well, you'll enjoy it.
We'll try to...
...touch the last scene, the very last shot of the movie.
There's not enough light.
I'm going to take a picture of the light
Ok, let's go
I don't know, they have a kitchen that's better than ours
and they're all there
Is it better like this?
No, it's better like this
It's ok
Oh yeah
It's good
Yeah, it's always good
It's great when you have the light
and you have to put it on the table
and you know the kitchen
Yeah, but I've been there before
- No. - Like the time of...
- But we don't care about the mood, let's go. - Yeah.
- Where is the energy?
- Oh, man.
- I'm going to make a beer with the peace and then...
- What's up, Salonbois?
- No, I'm going to go out. I can decorate a little bit. I
don't know if it's...
- No, it's a little bit of paper.
- Here? - But it would even be necessary more, because
there he will go beyond.
- I'm going to bother you, yes, well...
Try not to go too far to the side, towards the door.
Yes, sir.
It's important that when they tell you to turn and turn on
the tape, you do this in your head.
It's a promise in two.
Okay?
It's for us or for you?
At some point, you do this. We'll say...
"Top, enter the kitchen with the light."
Then we'll say "I'll do it, I'll do it, I'll do it."
It's a scene of astonishment.
Yeah.
We opened the door too.
We did three of the opening of the door.
Yeah.
Super scared.
For two minutes, two minutes and a half, a wide shot.
A short shot for the point of view of the fujima.
It's good, it makes you laugh, it's good.
You see?
And then, when I cut this, it's the crepe.
You stay, you stay two seconds in this position,
and we can go on with the direction
but not the door, I have to go back
otherwise I'm like that
yes but it's not good
come on, let's go
imagine that someone
walked on a nail
or not
no, it was not good
*Sigh*
The raccoon.
Ah yeah, the guy is waiting, it's not easy, right?
You have to play, at least I have to see the instructive
dialogues.
*Sigh*
Do it like a fanfare. That's how you do it, it's not a tip
to ask a person to do it.
Imagine, he does it like a recital. What does he say?
*Sigh*
*I'm not sure what he's saying but it's hard, you open your
mouth and you can hear it*
*ok, I'm moving, it's good*
*stop playing and you can hear it*
*but those are great sentences*
*no, I'm just saying it's not a big deal*
*oh, f*ck, I just remembered*
Okay.
Now we do it until the kitchen and we open the kitchen door
and we go back to the plan.
Wait, wait, wait, wait.
I'll do it for you.
Ok, I'll do it.
Are you ready?
We have to get out of the way.
Yes, we're leaving.
What are you doing?
I'm just going to eat it.
Oh, that's it.
Take your eating.
You're going to feel it first.
I can't do that.
Try to walk backwards.
You're going to feel it first.
You take the microphone, Philippe.
Honestly, we could almost do it.
Yeah.
I didn't know that.
I was just a son of a bitch.
I called him one last time.
I told him that I was going to call him one last time.
For real?
Yes, for real.
*knocking*
It's good, it's not bad, it's cut. It's cut.
It's in the fish, I think it's in the box.
It's fine.
*still talking*
*music*
Don't make the "pain aux filles", I'm gonna be behind you,
don't hesitate.
You're doing it with...
Oh, my God, we already...
filmed the two days, plus the last night, the first night.
The first night was short, the second one was also a bit
complex.
We did 60%.
Okay, cool.
I'm...
Nitsch?
Where are you going?
What's with the little guy?
He's going out in...
Oh no, not now.
You can ask Boss.
We're here for 40 minutes.
We're trying to negotiate to make a new video.
So I'm going to edit it now, at 1:30 in the morning.
I don't want to put it on now.
I think it's good. There are things we've left out.
Something in particular that's not too bad.
If we were in the same concept, we wouldn't have fallen in
the well.
You have to park it.
It needs to be dismantled.
We have problems for Gilles.
I think I'm going to be there, so I'll do it tomorrow.
We're going to go to Gilles to do a program in Iraq that
will help us save our competition.
And then we're going to buy less and we're going to buy
drinks because ours will be long.
But the gauze is dry.
I have the eye of a...
I don't know what to say.
So we're not going to be in?
No, we're not going to be in. We're going to do it tomorrow
.
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
And tomorrow at noon, so at noon, to respect this rush
aspect, you should have brought a film.
We will present the gals who took your tints.
What a bastard.
I hope he did a butt kiss with his girl.
I feel you, my heart.
I feel you, my mouth.
How do you feel me?
I don't understand. My hands are towards me.
I don't understand.
You look at me.
It's the third eye.
You can tell me, but that's the one.
I'm looking for the zoom and then I replace it.
I don't find the zoom on this fucking camera.
It doesn't have that, it's a zoom twice.
Ah yes, I found a little button that I'm moving with my
little finger.
Does it excite you?
I'm catching it there.
It excites you really?
No, I'm about to zoom in there.
Go ahead, do not be a pleasure.
Good, put it there.
Can I have 5 francs? I have no money.
Hey, Artros, what are we doing now?
Now we're waiting for Jill to get Final Cut Express.
And then after that...
HD!
HD, yes.
Final Cut Express HD.
HD?
HD.
High definition?
HD
And then we're going to go to Michael's house
piss on his bed
HD
drink his beer
beat him up
try and edit the movie there
beat him up
if that fails
we're going to go to my house
which is a big mess
my room, McFozza everywhere
turn on the server, make a lot of noise
and edit all the movies
you miss huh?
No, it's not.
Did you smoke this now?
No, when you turn on the server it's...
I'm going to cheat here.
What are we going to do?
Break this camera!
Oh shit, I'm going to get sick.
Did you like it?
I didn't rock it
Oh, good image
Just make the least possible noise
What are we doing now?
We're looking for a parking space
Otherwise you'll park a lot more
Germanat
What are we doing here?
We're going to sleep, that's what I'm saying
*Sigh*
What are we doing now?
We're doing a raging red bull.
Why?
Because the gang is winning.
But you know, it's not funny, you know, when they're going
to be fucking around and stuff.
Yeah, yeah.
At first, then after, zoom in on the eyes and bam, it's a
little bit of an acceleration of the scene, it's nice.
And then we do a big zoom in on the eyes, well, we do a 102
zoom.
Yeah.
Can I go to the door?
*Mumbling*
*whispers* I am the queen. Here. Ah, it's good.
Taka.
Etienne, Lucien.
Hello? Shanozan?
Abien?
What am I doing?
*whispers* He's talking to you.
What is it for?
To tackle?
It's to climb
Oh shit, I'm alone
Oh shit
Oh shit
He's trying to jump from side to side
Oh no
He's trying to jump from side to side
He's trying to jump
With a raunchy
You know, his moves are totally...
He's going to help me
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
*I'm not sure what he's saying*
We're going to Vienna now, so we have about an hour, four
hours.
In fact, we're going to the cinema at 8 o'clock.
Yeah, we're going to the cinema at 8 o'clock, so there you
go.
We're not going to sleep.
We're not going to sleep.
It's because of the bed.
I don't think the people who watch this making of think I
film all the time.
Yeah.
Because I mean, you open your channel at Charles and Rosa.
In Baty.
So we're at Nicolas' place.
My dear Joris.
Who taught us a little bit in the workshop.
I'll try again.
We're going to take his apartment.
To do a video editing, he was saving lives.
Nicolas.
Thank you Nicolas.
So, we're doing a video editing.
We have a camera and an IDE.
I'll show you.
Igor.
Sir.
Thank you for really...
You can do a dead road boy until 7-8pm
And then we'll do Petra Niche
If you jump and you do Pogotes
We're going to the pool, I'm not leaving
Bye
Bye
Wait
Wait
Ma
Oh, it's because I touched it and it touched it
And...
And...
He's doing ping pong, that's nice.
You know, between the guy's reaction...
He's doing ping pong.
There.
Ping pong.
Hey, Basan, what are we doing?
I was on you, but my sister is there.
I'm here, waiting for you.
Is he part of the Kronii or not?
He's here.
We're making a documentary for him, too bad.
Then you...
Yeah, we should already have the chewing noises.
That's okay, that's not bad.
I would have put "when you fuck" in "when you fuck".
I don't have... There's no way I'm gonna play the "fuck".
-Bart is really angry. -Why?
-Because of you. -How about a double?
No.
We're editing and the two people are going to superimpose.
Why are you doing this to Teddy?
It would be so cool.
The diminution of the vision.
No, but there's a line even more powerful.
Shut up, I'm telling you.
I'm going to make him full.
I'm going to make you dance.
I would do that.
*I'm not sure what I'm saying*
No but that's not the problem, it's that they're in 16/9
and if they're not in 16/9 anamorphosed, we're gonna do too
much eggs
We did this in HDV to make it work, but we can't get it out
because they only have mini-DV readers.
Which is a problem.
Or we should call him and see if they won't have an HDV
reader.
It's either displayed or not, we should go and see.
We'll say "we'll change it, we don't care, we'll just do
one cassette".
Or worse, if we have time, we'll speed it up.
In my opinion, the delay is more important.
You know how to do it, Gilles, for the apathy?
No.
I'm not going to.
I'm not going to look for your car.
And Matteo, he's not coming.
He's not coming, no.
Call him, he'll see.
I'm going to see the Noctambus.
He's stupid not to come in France.
He's going to come, guys.
What do you want to do?
Make a movie and we'll be exported in.
What are you waiting for? Make love?
We're in shit.
No, not at all.
Ah, I'm a Metamove fan.
Oh yeah?
Ah, well, try it.
But no, he didn't say that, did he?
Yeah, he just said it. He thought it was...
The guy who wants Metamove is a sculptor from a comedy film
.
No, no, no, it's not Metamove.
That's it, right? He thought that.
Call him back.
Right now.
Call him back, Bastien. Call him.
Yeah, right now.
He doesn't care, it's good.
Fuck.
Fuck, shit.
Fuck.
Fuck, where are you?
Michael, what's your name?
It's shit, we can't record anything, nothing comes out, we
're going to eat.
I think we're going to take the camera over there and say,
"Here, come on, put it on the big screen."
And then we can take advantage of the magic of technology
because we can't do it.
But there are two more things.
We don't even have a cable.
It's the green of the Ciderol.
Michael, show us your anger.
Ah, what's up?
Matteo, how are you?
I'm not going to talk.
The Ciderol is going to be late.
Yeah, that's stupid.
I'll give you a chance with your line.
Peck, he's my first!
They play in Doze, they have this thing with big crusts.
"Frisbeez"
They won't understand, but it's a connection for us, it's
an activity edition.
They make things with "Frisbeez", but a song by "Frisbeez".
Oh, that's so good.
What does Peck want?
Besides, there were people of other ages, and they can do
things that I don't know.
Congratulations, see you later!
He's coming before us, you know.
Bye everyone, ciao!
Peace!
Oh, sorry
Are you ok?
So, you have to
close the box
to fill your cassette
They will send you a sticker
to receive the programs
We were waiting for the projection
because our movie
already in the box
first flag for all athletes and then we just have to wait
and
least waiting for the results somebody for the prize
because we
know in deep in ourselves we are really able to win and
then you're
gonna come on oh we lost
my god and i'm so surprised oh yeah thank you very much
Oh, you're going to show me your new car?
I just bought a new car.
Oh, I see.
Oh, that's not bad.
Oh, that's a nice little car.
We're going to show our movie.
Here are the movies of the other competitors.
And then the jury and the public will vote for the movies.
And finally, we can post our movie, so we're pretty happy.
Maybe it's the beginning of Just Korea.
Just Korea?
Yeah.
Hollywood.
Just kidding.
Just kidding?
And he has glasses and short hair.
...a Sodi Cinema, a Sredka Lalagfa, our different partners.
We also thank our sponsors, the Canton Vaud.
The association behind it is called Today is a Vachon
Concept.
So, we made a film of 3-5 minutes in 36 hours.
So, the number 5 team consists of Olivier Archer, Basquin
Besiguer,
Mickaël Fakin, Matteo Lutti and Gilles Mona.
And their names are Les Garçons Stupides.
So they come from Lausanne.
My God!
Lacan, hello.
So, we have written a lot of words, our video was funny,
and we wanted to represent it,
without thinking too much about changes or things to report
.
What we were thinking about was reflection on reflection,
and we realized that we didn't really know what generated a
reflection,
so we tried to do something around it.
Thank you.
Thank you.
Thank you.
*Clapping*
Meditation
A question maybe to the team, were there two actors at the
end or is it the same special effect?
The same?
Excellent
I filmed yesterday
Bastien, what's happening now?
I don't know
We know
And then, what's going to happen after?
After?
Oh yes, a guy from July, he said it was a bad time, he was
after the race.
I thought it was a good time, but I thought it was a bad
time.
And how did you guys, in gros, what was it?
You had to buy a copter, and then what?
You had to do some...
There are people who don't care about the voice.
No, no, no, there are people who are interested in changing
,
making the person, personalizing the person.
You took sound, stupid.
What's happening now?
We turned the vibration.
Speak louder.
We turned the vibration.
Who did you vote for? Who did we vote for?
Well, we voted for...
I voted for the A, but I don't know why.
No, because the music is good.
Yeah, the music is good.
It's a Swiss album.
You think we can win?
I don't know.
There are four keys.
There are four keys.
If you have a chance, there's almost no chance for the
other game.
He told us that...
The stress, you certainly polluted all of this.
So it was the Stupid Boys,
Chèvre Feuille and D&D Productions.
And when you were executing, what we did,
the members of the committee voted.
And the team that was rewarded,
it's the team number 5,
the Stupid Boys.
A big applause please.
For a little picture written.
You, in fact, compared to the other teams...
Go, you're just on it, it's just for fun.
So congratulations, please.
No, you're stupid.
And then, we're actually giving you a 200 francs bill
at Votovision, which has a special price in Lausanne.
In fact, this video is present in the three buttons that
are represented today.
Here you see the chapel. Congratulations!
Congratulations! Thank you for your creativity, thank you
for the time you have devoted to us.
A weekend in the Rambla is also a quote for us, we can say
it.
So, Joe, what just happened?
We got two brakes, very low vision.
What does that mean? Do we actually get the money or do we
have to buy something from the store?
We have to... we can buy something in the store.
Are you happy man?
I don't know, I'm just tired.
Oh sorry.
It's funny.
Hey Michael, your reaction?
He's talking to you.
I really liked the fact that we were rewarded for the
technique and colors that are in the film.
I don't know how to explain it.
For the technique, we take this one for the end of the
movie.
"Arrangement at the tail, you assholes"
But I mean...
It's artistic.
No, it's not artistic.
It's good.
Your opinion?
I don't understand the price we won.
What's the price?
The price...
Here, there's one.
I'll give it to you.
Math.
Math.
Your opinion?
Yeah, they're really nice too.
But it's a bit of a mess, really.
I'll go back to it.
Hey, the producer said you're going to be there.
For what time?
It's going to be a while.
And which one?
What's happening now?
We won the best prize, which means we have direct contacts.
I was on the phone with Mr. Daniel Mona, who is a director
of the TSA and who promised to buy us a 2,000 francs
broadcast every July, every evening.
We haven't discussed it yet because M6 will have to call in
17:17, TF in 17:29 and RT, the LNOTs are still missing, Zip
the round.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
I'm going to go back and try to find the other one.
- I'm sorry.
- Ciao man.
- Ciao.
My stupid word.
- Ciao, garcon stupid.
Who are the winners?
Who won?
Nikol, who won?
- Garcon stupida.
Exactly.
I'm going to switch sides.
Cheryl.
The next day.
*phone ringing*
The advantage of carnitine is that you can drink your fat
much easier.
You're not going to get tired of your salads, are you?
Do you want some of my cheese?
No thanks, too big.
What are you doing after?
I'm going to run, as usual.
Oh.
so
All right.
um
*cute little noises*
We will prepare for landing.
so
so
so
All right.
So, I'm going to go ahead and do that.
Micah, what's happening now?
Hey man, well we the fucking bass and flat and dad were
going to jail to take some CDs, you know
On the CDs the software, the last edition, you know, you
can really do it, really good and then
You can drive man the fucking little ass of the new shot
rule
No, man.
What are we doing now?
I'm not going to speak any English.
you
Thank you.
